You see, I'm a *mature* crazy person
Помним симпатяшку Шона Мара? Оказывается он пробовался для "Доллхауса"! На Виктора ни много, ни мало! Я люблю "нашего" Виктора, но Саймон все-таки посимпатишнее будет. Да и вообще, как было бы классно, а. Такой семейный междусобойчик получился бы ))
Вот еще интересный абзац (интересный на любителя, типа меня):
An entirely different world. And it’s funny because you’re not trained... Some of the hardest things on set are hitting your mark and knowing where the camera is at all times and knowing the different angles and knowing coverage and all the stuff - I still don’t understand the geography of the camera. Y’know, when you turn around to do different coverage and you hear the DP being like, "Oh, we were looking left to right over there, so we’ve got to look left to right over here," and they tell you to look someplace that feels a little off, but I always trust that they know because I have no idea. And not all the time, but every now and then they shot it from a weird angle... So all that stuff you don’t learn in school, and that’s the stuff that can pull you out of it. Because you think it’s just going to be like on stage, just you and the other actor, but it’s not. Because there’s like 30 people surrounding you and a piece of tape on the ground that you’re supposed to be standing on. And if you don’t find your light, then the shot’s not good; and if it’s a close-up and you move a couple of inches, then you’re blurry. So, lots of that stuff I feel like I learned very quickly working on Ryan Caulfield.
Или вот:
It got easier. I think the first time it happened, it was like a death. When Ryan Caulfield got canceled... Y’know, it was my first job, and you do kind of live in this bubble before you air. You think this show is the most amazing thing, and you’re doing six, seven episodes before you go to air, so you’ve created bonds with people and you feel like a family. So Ryan Caulfield felt a bit like a death. And then, by the time I got to Firefly… The irony of the Firefly journey, for me, was that when it was canceled, I was like, "Oh well, chalk it up to another canceled show." And that was when Joss was like, "No way. We’re not done. We’re gonna make a movie." And I was like, "Yeah, right. I’ve heard this before." Because I felt like I had been jaded, because I think that was my… fourth canceled show. So, yeah, by the time Firefly got canceled, I think I was just a little used to it, and just felt like, "All right, well, let’s move on to something else." So that’s why I'm always so shocked at the Firefly phenomenon. It was the exact opposite of what I had been used to. Because when Ryan Caulfield was canceled, all those discussions were going on. “It’s not done. We’re going to a different network. We’re doing this. We’re doing that...” Like I even related that to my agent, "Oh no, this isn’t finished. Don’t you worry. We’re going to find a home for this. That’s what they’re telling me on set. It’s fine." And you know, it never happens, or rarely happens, I guess. Firefly is the little engine that could. It’s a phenomenon of its own.
Целиком тут.
Вот еще интересный абзац (интересный на любителя, типа меня):
An entirely different world. And it’s funny because you’re not trained... Some of the hardest things on set are hitting your mark and knowing where the camera is at all times and knowing the different angles and knowing coverage and all the stuff - I still don’t understand the geography of the camera. Y’know, when you turn around to do different coverage and you hear the DP being like, "Oh, we were looking left to right over there, so we’ve got to look left to right over here," and they tell you to look someplace that feels a little off, but I always trust that they know because I have no idea. And not all the time, but every now and then they shot it from a weird angle... So all that stuff you don’t learn in school, and that’s the stuff that can pull you out of it. Because you think it’s just going to be like on stage, just you and the other actor, but it’s not. Because there’s like 30 people surrounding you and a piece of tape on the ground that you’re supposed to be standing on. And if you don’t find your light, then the shot’s not good; and if it’s a close-up and you move a couple of inches, then you’re blurry. So, lots of that stuff I feel like I learned very quickly working on Ryan Caulfield.
Или вот:
It got easier. I think the first time it happened, it was like a death. When Ryan Caulfield got canceled... Y’know, it was my first job, and you do kind of live in this bubble before you air. You think this show is the most amazing thing, and you’re doing six, seven episodes before you go to air, so you’ve created bonds with people and you feel like a family. So Ryan Caulfield felt a bit like a death. And then, by the time I got to Firefly… The irony of the Firefly journey, for me, was that when it was canceled, I was like, "Oh well, chalk it up to another canceled show." And that was when Joss was like, "No way. We’re not done. We’re gonna make a movie." And I was like, "Yeah, right. I’ve heard this before." Because I felt like I had been jaded, because I think that was my… fourth canceled show. So, yeah, by the time Firefly got canceled, I think I was just a little used to it, and just felt like, "All right, well, let’s move on to something else." So that’s why I'm always so shocked at the Firefly phenomenon. It was the exact opposite of what I had been used to. Because when Ryan Caulfield was canceled, all those discussions were going on. “It’s not done. We’re going to a different network. We’re doing this. We’re doing that...” Like I even related that to my agent, "Oh no, this isn’t finished. Don’t you worry. We’re going to find a home for this. That’s what they’re telling me on set. It’s fine." And you know, it never happens, or rarely happens, I guess. Firefly is the little engine that could. It’s a phenomenon of its own.
Целиком тут.